Wednesday, November 5, 1980— Dutsseldorf—Baden

Baden—Stuttgart

I woke up at 3:00 in the morning and I heard the sad news of Carter losing so desperately to Reagan. It was the first time a president conceded so early. He had tears in his eyes.

I couldn’t sleep and I took a Valium.

Andy Warhol

Wednesday, November 5, 1980— Dutsseldorf—Baden

Baden—Stuttgart

I woke up at 3:00 in the morning and I heard the sad news of Carter losing so desperately to Reagan. It was the first time a president conceded so early. He had tears in his eyes.

I couldn’t sleep and I took a Valium.

Andy Warhol

Pending, loading, thank you!: Elisabeth Molin

2722 hours (2026)

20 x 16 inches 

LED badge with scrolling text

6.10 min loop

9 cm x 3.0 cm x 0.5 cm

A white wall with a small opening or hole, with a branch of red berries hanging in front of it.

While we sleep sharks swim between your ear and mine (2026)

Display part, faux berry branch

17 x 3 × 21 cm

A white wall with a mounted black and white photograph of a person sitting with knees drawn up and arms wrapped around the legs. Below the photograph, there is a gray metal box with some wires hanging from it, and a dried plant with a spiked flower attached to a stick leaning against the box.

While we sleep sharks swim between your ear and mine (2026)

Display part, Magic Lantern Slide, cables, coneflower

21 × 25 × 5 cm


A minimalist art installation features a dry, leafless branch leaning against a white wall, with a ruler or measuring stick vertically placed beside it. There is a black rectangular plaque or display above the branch, attached to the wall.

While we sleep sharks swim between your ear and mine (2026)

Display part, branch, expenditure report

75 × 45 × 30 cm

An art installation on a white platform includes a circular object with a textured, dark surface resembling a planet or stone, and a cardboard box with a sloped opening, set against a background of a wooden floor and a plain white wall.

While we sleep sharks swim between your ear and mine (2026)

Display parts, found object, cardboard box, monitor

Video 2.35 min loop


A small electronic circuit board with black wires attached, laying on a plain white surface.

While we sleep sharks swim between your ear and mine (2026)

Display part, seaweed

18 × 7 × 3 cm

A neon pink and orange box with a transparent front panel displaying text, mounted on a plain white wall with two small rounded objects on top.

Move, string, wet (2026)

Piexiglas, text, krill oil softgels

15 × 15 × 5 cm

A glass fish tank mounted on a white wall, containing a few small fish and some water plants.

While we sleep sharks swim between your ear and mine (2026)

Plexiglas, seaweed, water, Magic Lantern Slide

5 × 36 × 17 cm


A computer monitor displaying a cartoon caterpillar image, mounted on a white wall in a room with wooden flooring.

all.the.time (2024)

HD video, 5.20 min, colour

Installation view

Close-up of folded cardboard box with blue interior visible.

Detail: While we sleep sharks swim between your ear and mine (2026)

Display parts, found object, cardboard box

Exhibition

Elisabeth Molin

Pending, loading, thank you!

June 18th-August 17th

Contents

The Andy Warhol Diaries

Pending, loading, thank you!: Elisabeth Molin

ELISABETH MOLIN’S LEGACY METRICS: INTERVIEW

Elisabeth Molin’s work addresses the periphery and the edges of our human made world. She is interested in sleep, dreams and infrastructure and when things are in a grey zone and in transit. She holds a BA in Fine Arts at Chelsea College of Art and an MA in Fine Arts from Royal College of Art in London and has shown work, among other placed, at KW Institute, Berlin; Wiels, Brussels; No Show Space, London; PUBLICS, Helsinki; Den Frie Udstillingsbygning, Copenhagen; ISCP, New York and Columbia Teacher’s College, New York.